Isted of wooden frame overlaid with complicated inlay composed of thin
Isted of wooden frame overlaid with complicated inlay composed of thin intricately carved plaquettes of a variety of shades of amber, ebony, and ivory pieced of thin intricately carved plaquettes of various shadesshades of amber, ebony, and pieced posed of thin intricately carved plaquettes of several of amber, ebony, and ivory ivory together as a three-dimensional mosaic (Gennaioli and Sframeli 2014, pp. 2667; together as a three-dimensional mosaic (Gennaioli and Sframeli pp. 2667; pieced together as a three-dimensional mosaic (Gennaioli andSframeli 2014, pp. 2667; Maslauskait-Mazylien 2018, pp. 746). The architectonic form gestured each to reliMaslauskait-Mazylien 2018, pp. 746). The architectonic form gestured to reliquar Maslauskaite-Mazyliene 2018, pp. 746). The architectonic kind gestured bothboth to reliquaries’ exegetical origins SB-269970 manufacturer within the ark from the Temple of Jerusalem, to the medieval inherquaries’ exegetical origins ark of ark in the of Jerusalem, to the medieval inheritance of ies’ exegetical origins in the within the the TempleTemple of Jerusalem, towards the medieval inheritance of microarchitectural reliquary designs, and to the Jerusalemic reliquary chapel itance of microarchitectural reliquary designs, and for the Jerusalemic reliquary chapel microarchitectural reliquary designs, and54 the Jerusalemic reliquary chapel from exactly where to from exactly where the relic came as locus sanctus. Chaetocin custom synthesis 54Fabricated based on a distinctly archaizing 54 Fabricated as outlined by a distinctly archaizing stylistic from where the relic came as locus sanctus. Fabricated as outlined by a distinctly archaizing the relic came as locus sanctus. stylistic register and iconographic program, the casket presents as a three-dimensional stylistic register and iconographic plan, the casket a three-dimensional pastiche of register and iconographic program, the casket presents as presents as a three-dimensional pastiche of individual parts that appear not as the cohesive operate of Prussian workshops pastiche of individual components that the cohesive the cohesive operate of Prussian workshops person parts that appear not asappear not aswork of Prussian workshops renowned for renowned for sculpted amber artworks in the utmost modern day sophistication for the period renowned for sculpted amber artworks with the utmost modern day for the period (Grabowska sculpted amber artworks of the utmost modern sophistication sophistication for the period (Grabowska 1971; King 2009a). Rather, in maintaining using a current in reliquary design and style from 1971; King 2009a). Rather, in keeping withkeeping withreliquary design and style from design and style from (Grabowska 1971; King 2009a). Rather, inside a present inside a present in reliquary the Middle the Middle Ages, these variegated elements imitated incongruous spolia that appear as Ages, these variegated components components imitated incongruous spolia that seem as the Middle Ages, these variegated imitated incongruous spolia that appear as if they had been if they had been repurposed older considerably older objects, such as florid carved faux gems,faux repurposed from a great deal from objects, including florid carved appliqu , appliqu , and if they were repurposed from substantially older objects, such as florid carved appliqu , faux gems, and cabochons, and figural plaquettes (Hahnwork of early contemporary assemblage, the cabochons, cabochons, and figural plaquettes (Hahn2013). A operate of early contemporary assemgems, and and figural plaquettes (Hahn 2013). A 2013). A function of early modern day assemblage, the casket pretended to fro.